Channa Horwitz

Language Series II, 1964–2004

Casein paint on graph paper

Courtesy Collection Oehmen, Germany

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Foreground:

Investigation of shadows for the painting series Circles and Squares, 1967–68

Photograph

Courtesy the Estate of Channa Horwitz

Exhibition view

Channa Horwitz

Works from the series Sonakinatography, 1970–2012

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz

Works from the series Sonakinatography, 1970–2012

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz

Works from the series Sonakinatography, 1970–2012

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Mark Fell

Interpretation of Sonakinatography, Composition III, 2016

Multi-speaker installation

Courtesy the artist

Photo by Marcus J. Leith

Exhibition view

Channa Horwtiz

Photo by Marcus J. Leith

Foreground:

Mark Fell

Interpretation of Sonakinatography, Composition III, 2016

Multi-speaker installation

Courtesy the artist

Background:

Channa Horwitz

Round in Three Parts, 1977

Ink on paper

Courtesy the Estate of Channa Horwitz

Exhibition view

Channa Horwtiz

Photo by Marcus J. Leith 

Foreground:

Mark Fell

Interpretation of Sonakinatography, Composition III, 2016

Multi-speaker installation

Courtesy the artist

Channa Horwitz

To the Top Large to Large No. 1, Variation No. 1, 1980/2003

Ink on mylar

Courtesy the Estate of Channa Horwitz

Exhibition view

Channa Horwitz 

Photo by Ewa Herzog

Channa Horwitz

Displacement, 2011/2016

in collaboration with Y8, ARTYOGA, Hamburg

Plywood blocks, paint and marker pen on MDF

Photo by Ewa Herzog

Channa Horwitz

Displacement, 2011/2016

in collaboration with Y8, ARTYOGA, Hamburg

Plywood blocks, paint and marker pen on MDF

Photo by Ewa Herzog

Channa Horwitz

Displacement, 2011/2016

in collaboration with Y8, ARTYOGA, Hamburg

Plywood blocks, paint and marker pen on MDF

Photo by Ewa Herzog

Channa Horwitz

Displacement, 2011/2016

in collaboration with Y8, ARTYOGA, Hamburg

Plywood blocks, paint and marker pen on MDF

Photo by Ewa Herzog

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Clockwise from left:

Composition III: Poem Opera for Eight People, 1968

Ink on paper

Courtesy Collection Bergmeier

Sounds and Silences: Instructions to Elli Zimmerman, 1969

Ink on graph paper

Courtesy the Estate of Channa Horwitz

Dance Movement: Instructions to Sheila Rozann, 1969

Ink on graph paper

Courtesy the Estate of Channa Horwitz

The Time, 1969/2012

Audio recording on cassette tape

Courtesy the Estate of Channa Horwitz

Channa Horwitz

Dome Inside Square, 1968

Acrylic on wood

At the Tone the Time Will Be, 1969

Performance at Orlando Gallery, Encino, California

16 mm film, digitised. Film by Marlene Matlow

Courtesy Estate of Channa Horwitz

Photo by Marcus J. Leith

Channa Horwitz

Language Series I, 1964–2004

Casein paint on card on rag board

Courtesy Collection Oehmen, Germany

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz 

Photo by Marcus J. Leith

From left: 

Language Series II: Squares + Rectangles, No. 8 of 8, 1964–2004

Ink on paper on rag board

Courtesy Collection Oehmen, Germany

Language Series I: Circles and Squares No. 2 of 8, 2004–05

Ink on graph paper

Language Series I: 1-5-8, 1964

Casein paint on paper

Language Series I: 1-4-5, 1964

Casein paint on paper

Language Series: 4-1-3, 2004–05

Ink and casein paint on paper board

Courtesy the Estate of Channa Horwitz

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Clockwise from left:

Circle in Square or Square in Circle, 1968/2010

Acrylic on wood

Courtesy Collection RJP, Marseille

Black and White Circle and Square with Box and Shadow, 1968

Oil on canvas

Courtesy Estate of Channa Horwitz

Circle and Square on Cube, Studies No. 2, 1968

Acrylic on cardboard

2 parts

Courtesy Collection M. Galiano

Circles on a Cube, 1968/2011

Acrylic on wood

Estate of Channa Horwitz

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Clockwise from left:

Double Square, 2005

Acrylic on canvas

Courtesy the Estate of Channa Horwitz

Black and White Circle and Square with Box and Shadow, 1968

Oil on canvas

Courtesy Estate of Channa Horwitz

Circle and Square on Cube, Studies No. 2, 1968

Acrylic on cardboard

2 parts

Courtesy Collection M. Galiano

Circle in Square or Square in Circle, 1968/2010

Acrylic on wood

Courtesy Collection RJP, Marseille

Channa Horwitz

Circles and Squares Painted in Shadow, 1967

Oil on canvas

Courtesy Collection Ellen Davis, Los Angeles

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz 

Photo by Marcus J. Leith

From left: 

Patterns, 1982

Ink on paper on graph paper

9 parts

Courtesy the Estate of Channa Horwitz

Canon VI, Variation No. 2, 1982

Ink on mylar

Courtesy Collection Oehmen, Germany

Exhibition view

Channa Horwitz 

Photo by Marcus J. Leith

From left: 

Canon VI, Variation No. 2, 1982

Ink on mylar

Courtesy Collection Oehmen, Germany

8 Designs for Canon, 1982

Ink and casein paint on graph mylar

Courtesy Collection of Dr and Mrs Howard Resin

Channa Horwitz

Canon, 1987

Casein paint on graph mylar

Courtesy The Mohn Family Trust

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

Clockwise from left:

Moiré, 1984

Casein paint on mylar

Courtesy the Estate of Channa Horwitz

Flag No. 2, 1984

Casein paint on mylar

Courtesy Collection Amrita Jhaveri

Moiré, 1983

Ink on mylar

Courtesy the Estate of Channa Horwitz

Moiré, 1983

Ink on mylar

Courtesy the Estate of Channa Horwitz

Channa Horwitz

Number Matrix VI, 1990

Casein paint on mylar

Courtesy Collection Hundertmark and Birkholz

Photo by Marcus J. Leith

Channa Horwitz

Untitled, date unknown (c. 1968)

Ink, felt pen and pencil on graph paper

Courtesy Collection Bergmeier

Photo by Marcus J. Leith

Exhibition view

Channa Horwitz 

Photo by Marcus J. Leith

From left to right:

Art and Technology Proposal: Suspension of Vertical Beams Moving in Space, 1968

Ink on graph paper

Movement for Beams, c.1968

Pencil on graph paper

Movement for Beams No. 2, c. 1968

Pencil and ink on graph paper

Movement for Beams, c. 1968

Pencil and ink on graph paper

Movement for Beams No. 3, c. 1968

Pencil on graph paper

Courtesy the Estate of Channa Horwitz

Channa Horwitz

Variation and Inversion on a Rhythm Series 3-1 through 3-14, 1975

Ink on graph paper

Courtesy the Estate of Channa Horwitz and François Ghebaly Gallery, Los Angeles

Photo by Marcus J. Leith

Channa Horwitz

Variation and Inversion on a Rhythm Series 3-1 through 3-14, 1975

Ink on graph paper

Courtesy the Estate of Channa Horwitz and François Ghebaly Gallery, Los Angeles

Photo by Steve White

Channa Horwitz

Variation and Inversion on a Rhythm Series 3-1 through 3-14, 1975

Ink on graph paper

Courtesy the Estate of Channa Horwitz and François Ghebaly Gallery, Los Angeles

Photo by Steve White

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

From left to right:

Rhythm of Lines 4-7, 1987

Casein paint and 23 karat gold leaf on mylar

Rhythm of Lines 6-7, 1988

Casein paint and 23 karat gold leaf on mylar

Rhythm of Lines 1-6, 1988

Casein paint and 23 karat gold leaf on mylar

Courtesy Collection Charlotte Feng Ford 

Exhibition view

Channa Horwitz

Photo by Marcus J. Leith

From left to right:

8 Expanded, Variation II, 1981

Ink on graph mylar

Courtesy the Estate of Channa Horwitz

1/4 Noisy, 1998

Casein paint on mylar

Collection Ellen Davis, Los Angeles

Rhythm of Lines 4-7, 1987

Casein paint and 23 karat gold leaf on mylar

Courtesy Collection Charlotte Feng Ford 

Channa Horwitz

8 Expanded, Variation I and 8 Expanded, Variation II, 1981

Ink on graph mylar

Courtesy the Estate of Channa Horwitz

Photo by Marcus J. Leith