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Control magazine. Issues 1–5
Archive of Control; Private collection; Chelsea College of Arts Library, University of the Arts London
Photograph by Marcus J. Leith
Foreground left:
Architectural Exercise in Colour and Form No. 1, 1962
Private collection
Foreground right:
Maze Drawing No. 2, 1967
Jane Kelly, London
Photograph by Marcus J. Leith
Left to right:
Area Development Drawing No. 1A, 1965
Unit Drawing No. 6, 1965
Architectural Structure in Colour and Form, 1962
Drawing for a Project No. 18, 1966
Courtesy the artist and Victoria Miro, London; Collection of the artist; Jane Kelly, London
Photograph by Marcus J. Leith
Left to right:
Area Development No. 10, 1966
Area Development Drawing No. 8, 1965
Collection Nicholas Logsdail; Paul C. Caffell
Photograph by Marcus J. Leith
Visual Automatic No. 1, 1964–5
Courtesy the artist and Victoria Miro, London
Photograph by Marcus J. Leith
Visual Automatic No. 2, 1965
Courtesy the artist and Victoria Miro, London
Photograph by Marcus J. Leith
Right:
Visual Automatic No. 2, 1965
Background:
Visual Field Automatic No. 1, 1964
Courtesy the artist and Victoria Miro, London; Tate: Purchased from funds provided by the Knapping Fund 2004
Photograph by Marcus J. Leith
Exhibition view
Control. Stephen Willats. Work 1962–69
Foreground left:
Visual Automatic No. 4, 1965
Collection Nicholas Logsdail
Photograph by Marcus J. Leith
Left:
Visual Automatic No. 5, 1965
Right:
Visual Automatic No. 4, 1965
Tate. Purchased from funds provided by the Knapping Fund 2004; Collection Nicholas Logsdail
Photograph by Marcus J. Leith
Visual Automatic No. 5, 1965
Tate. Purchased from funds provided by the Knapping Fund 2004
Photograph by Marcus J. Leith
Left to right:
Variable Sheets, 1965
Design for a Helmet, [two drawings], 1965
Victoria and Albert Museum
Photograph by Marcus J. Leith
Optical Shift Drawing No. 1, Series 1, 1963
Courtesy the artist and Victoria Miro, London
Photograph by Marcus J. Leith
Left to right:
Manual Variable No. 2, 1963
Optical Shift Construction, 1964
Manual Variable No. 1, 1963
Courtesy the artist and Victoria Miro, London; Private collection, Düsseldorf
Photograph by Marcus J. Leith
Foreground:
Colour Variable No. 3, 1963
Private collection, Bremen, Germany
Photograph by Marcus J. Leith