Studio International

July/August 1970

Special Issue, guest edited by Seth Siegelaub who made the magazine his 'Summer Exhibition'

Hard cover copies were published concurrently of Seigelaub’s exhibition without the additional magazine contents

Photograph by Marcus J. Leith 

Exhibition view

Photograph by Marcus J. Leith 

Exhibition view showing in

foreground: Keith Arnatt, Rejected Proposal for the Peter Stuyvesant 'City Sculpture Project' (For Cardiff City), 1972. Photograph and text on paper. Tate, transferred from Tate Archive 2010; and, background: Daniel Buren, 1 Peintre en 10 (No.3), 1974. Canvas. Collection Charles Asprey. 

Photograph by Marcus J. Leith 

John Latham

Four Phases of the Sun, 1963

Books, wires, plaster, paint on canvas on hardboard

Courtesy The Estate of John Latham and Lisson Gallery

Photograph by Marcus J. Leith 

Exhibition view 

Foreground:

Barry Flanagan

heap 3 '67/68, 1967

Hessian sacking and sand

The Estate of Barry Flanagan 

Photograph by Marcus J. Leith 

Exhibition view showing in

foreground: William Tucker, Karnak, 1966. Fibreglass copy number 2, from an edition of 4 plus artist's proofs. Waddington Custot Galleries, London. Courtesy the artist and Pangolin London; and background, left to right: Charles Biederman, Structurist Relief, Red Wing No. 20, 1954-65. Oil on aluminium. Tate, purchased 1966; Robyn Denny, Colour Box V, 1969. Screenprint, printed in orange and scarlet. Boxed in Perspex with aluminium frame and backing. Collection Dominic Denny; and, Robyn Denny, Colour Box IV, 1969. Screenprint, printed in lime green and orange. Boxed in Perspex with aluminium frame and backing. Collection Dominic Denny

Photograph by Marcus J. Leith 

Exhibition view showing

Left: Lawrence Weiner, … AND THEN RELEGATED TO ANOTHER GENDER, 1972. LANGUAGE + THE MATERIALS REFERRED TO. Collection Eric Fabre  

Right: John Ernest, Vertical Constructions, 1955. Perspex, steel rods. Catherine and Franck Petitgas Collection

Photograph by Marcus J. Leith 

Exhibition view

Photograph by Marcus J. Leith 

Studio International

September 1969

Left to right:

'The climate of Biederman' by Anthony Hill

'The centrality of Charles Biederman' by Stephen Bann

Courtesy Jo Melvin, Clive Phillpot and Catherine Townsend

Photograph by Marcus J. Leith 

Exhibition view showing in

foreground: William Tucker, Karnak, 1966. Fibreglass copy number 2, from an edition of 4 plus artist's proofs. Waddington Custot Galleries, London. Courtesy the artist and Pangolin London; and, background, right: Lawrence Weiner, … AND THEN RELEGATED TO ANOTHER GENDER, 1972. LANGUAGE + THE MATERIALS REFERRED TO. Collection Eric Fabre  

Photograph by Marcus J. Leith 

From the papers of Peter Townsend: An exhibition titled ‘Groups’, organised by Lucy Lippard, published as a 'magazine exhibition' in Studio International, March 1970. Tate Archive

Photograph by Marcus J. Leith

From the papers of Barbara Reise, contributing editor of Studio International, 1969-73: 

Postcard (c.1971) to Reise from Jan Dibbets; Postcard (August 1969) to Reise from Jan Dibbets; Photographs of an installation by Daniel Buren at Galerie MTL, Brussels, June 1970. Tate Archive

From the papers of Peter Townsend: Proposal by Jan Dibbets for layout of his photographs in an article by Reise for Studio International, May 1973

Studio International

July/August 1972

Peter Stuyvesant Foundation City Sculpture Project, artists’ pages

Courtesy Amy Budd, Jo Melvin, Clive Phillpot and Catherine Townsend

Photograph by Marcus J. Leith 

Kenneth Martin

Variable Screw, 1967

Brass

UEA Collection of Abstract and Constructivist Art

Sainsbury Centre for Visual Arts, University of East Anglia

Photograph by Marcus J. Leith 

Exhibition view showing in foreground:

William Turnbull

Angle, 1967/68

Galvanised painted steel, 1 of 5

Yorkshire Sculpture Park

Photograph by Marcus J. Leith 

William Turnbull

Angle, 1967/68

Galvanised painted steel, 1 of 5

Yorkshire Sculpture Park

Photograph by Marcus J. Leith 

Exhibition view showing in foreground:

Naum Gabo, Bronze Cast of the Alabaster in ‘Construction with Alabaster Carving', 1966. Bronze and Perspex, edition 6 of 6. Courtesy Annely Juda Fine Art, London

Photograph by Marcus J. Leith 

Exhibition view showing in foreground:

Naum Gabo, Bronze Cast of the Alabaster in ‘Construction with Alabaster Carving', 1966. Bronze and Perspex, edition 6 of 6. Courtesy Annely Juda Fine Art, London; and background: Charles Biederman, No. 3 (3), 1959-67. Painted metal. Denny Family Collection

Photograph by Marcus J. Leith 

Nicolas Schöffer

Chronos 10, 1962

Mirror polished stainless steel, projectors, electromechanic system and programme

Collection Eléonore de Lavandeyra Schöffer

Photograph by Marcus J. Leith 

Nicolas Schöffer

Chronos 10, 1962

Mirror polished stainless steel, projectors, electromechanic system and programme

Collection Eléonore de Lavandeyra Schöffer

Photograph by Marcus J. Leith 

Nicolas Schöffer

Chronos 10, 1962

Mirror polished stainless steel, projectors, electromechanic system and programme

Collection Eléonore de Lavandeyra Schöffer

Photograph by Marcus J. Leith 

Nicolas Schöffer

Chronos 10, 1962

Mirror polished stainless steel, projectors, electromechanic system and programme

Collection Eléonore de Lavandeyra Schöffer

Photograph by Marcus J. Leith 

Barry Flanagan

one ton corner piece, 1967

One ton of builder’s sand

The Estate of Barry Flanagan

Photograph by Marcus J. Leith 

Exhibition view showing in backgrond: Lawrence Weiner, ABRIDGED, 1970. LANGUAGE + THE MATERIALS REFERRED TO. Courtesy of the artist; and, foreground: display boards for a proposed exhibition Barry Flanagan made in discussion with Peter Townsend, including visual material from Studio International for Fishbach Gallery and Lucy Lippard's loft, New York, 1969. Tate Archive

Photograph by Marcus J. Leith 

Exhibition view 

Photograph by Marcus J. Leith 

Exhibition view showing in foreground: 

Naum Gabo

Model for a Construction at the Bijenkorf Building, Rotterdam, 1955

Plastic

Tate: Presented by the artist 1977

Photograph by Marcus J. Leith 

Exhibition view showing in foreground: 

Naum Gabo

Model for a Construction at the Bijenkorf Building, Rotterdam, 1955

Plastic

Tate: Presented by the artist 1977

Photograph by Marcus J. Leith 

From the papers of Peter Townsend, photographs and a postcard sent to Charles Harrison, Studio International assistant editor, in 1969

Left to right: From Richard Long while collaborating with filmmaker Gerry Schum in Dartmoor, UK; from Jan Dibbets with Gerry Schum in Scheveningen, Netherlands; and from Bruce McLean, reading verso 'We never did have that beer'

Tate Archive

Photograph by Marcus J. Leith 

John Ernest

Relief Construction, 1955-64

Perspex, stainless steel and birch ply

Collection Dr Paul Ernest

Photograph by Marcus J. Leith