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Black Camera: African Cinema: Manifesto & Practice for Cultural Decolonization. Part 2: Colonial Antecedents, Constituents, Theory, and Articulations, vol. 12, no. 2 (Spring 2021)
Black Camera: African Cinema: Manifesto & Practice for Cultural Decolonization. Part 3: The Documentary Record: Declarations, Resolutions, Manifestos, Speeches, vol. 13, no. 1 (Fall 2021)
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Black Film Bulletin, vol. 3, issue 1 (Spring 1995)
Black Film Bulletin, vol. 3, issue 2/3 (Summer/Autumn 1995)
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Chimurenga, FESTAC '77 (London: Thames & Hudson, 2019)
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Med Hondo and others, On the Run: Perspectives on the Cinema of Med Hondo (Berlin: Archive Books, 2020)
Isaac Julien and Colin MacCabe, Diary of a Young Soul Rebel (London: British Film Institute, 1991)
John King, Ana M. López, Manuel Alvarado, Mediating Two Worlds: Cinematic Encounters in the Americas (London: British Film Institute, 1993)
Spike Lee, Five for Five: The Films of Spike Lee (New York: Stewart, Tabori and Chang, 1991)
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Onyeka Nwelue, The Abyssinian Boy (New York: Abibiman Publishing, 2022)
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Jim Pines and Paul Willemen, Questions of Third Cinema (London: British Film Institute, 1989)
Emma Ridgway, Courtney J. Martin, Sonia Boyce: Feeling Her Way (New Haven: Yale University Press, 2022)
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XII. Black International Cinema 1993–1997 (Berlin: Fountainhead, 1997)